Forest Throne, Part 5: … And More Branches

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These branches. Are taking. FOREVER.

All twelve wire armatures are finished now, which took much longer than I expected, and now I’m covering them with masking tape. DHawkTX (and also on Deviantart), a friend over on the Den of Angels BJD board, where I’m cross-posting this series, suggested the masking tape to create a base for further papier mache details. I realized that would be like combining the first two steps I was going to do: coating in white glue and doing traditional papier mache over them. So I tried it and so far it’s working beautifully.

Except for the part where it takes forever.

I did get three branches done, though, so I put them on the chair so I could take a picture for you. I think part of the reason this step is being hard on my motivation is that I feel like the branches were prettier before I covered them with masking tape. But they couldn’t stay that way, so I just have to keep telling myself how cool this is going to look when it’s done.

(By the way, that strange shadow in the background is made up of my two cats, Empress and Soleil, who like to sprawl on the stair landing outside my attic sewing room, because if they find somewhere cozy in all the junk inside the sewing room, Mommy will shut them in for the night when she goes to bed. They don’t like that, for some reason.)

Each branch is attached by wrapping its tail around the dowel stem of the chair. I was going to wrap the tail all the way around in a circle, but it turns out that makes the branches too short, so instead it’s more like a C. Currently they’re only attached with masking tape, but when I’ve finished them all I’m going to glue the heck out of them. This is another possible failure point on the chair, so I’m going to make sure that those branches don’t budge a millimeter before I’m done.

If I live long enough to finish taping all the branches, that is. Don’t worry, I’ll be sure pass this project down to future generations so you’ll still get your blog updates.

After the branches are firmly attached, I still plan to use traditional papier mache to add at least one more layer, and then I’ll probably add details with the instant stuff, or if I have to, I’ll go and get some actual Paperclay. But I don’t want to, because that stuff always dries out before I use up the whole bag. Even when I keep it in the freezer. I wonder if Model Magic would be tough enough to get the job done?

Anyway, I’m going to keep plugging along and I’ll post again when I’ve got progress to show you.  TTFN.

Index of Forest Thrones posts is here.


Forest Thrones, Part 4: Back Armature

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I have to confess that I’m worried about finishing this project. The above picture is a collection of my past, failed attempts at making trees. The stump is done enough to use in photo shoots, but if you pick it up you can see the soda can I used for an armature poking out from between the roots. It also shows the faux bark technique I’m planning to use here.

Anyway, the back of this chair is going to be made of tree branches, as though the chair was shaped out of a living tree. I wasn’t looking forward to doing the branches, because wire work is tedious and hard on my fingers. But anything this small will need a sturdy armature, so it has to start out in wire.

I cut the primary branches from aluminum fencing wire from the hardware store. I like this kind of wire because it’s cheap, it doesn’t corrode and it’s easy to bend with your hands but still strong enough to support most craft projects. Then I cut secondary branches from coated copper wire. It’s softer than the aluminum wire, but then, it’ll have less weight to support.  I twisted them around the primary branch like in the above picture.

Then I did some more of them.

Then I added a second row of branches.

And then a third.

Remember what I said about wirework being tedious? It took an hour and a half to do all the branches, and then I still had to add the twigs. Two twigs for each of the secondary branches, plus three more on the primary branch. That comes out to 14-18 twigs per branch. Yeah, I know I’m insane. But look at the results:

The final throne will have three of these in sort of a fan pattern, like so:

I think it looks pretty good. These are very flat right now, but I’ll pose the branches more realistically before I coat them with papier mache. If I did that now I’d just mangle them while affixing them to the chairs.

In order to help the papier mache grip the wires, I’m going to coat them in white glue before I start covering them. I’m also concerned that they’ll be wiggly after I attach them to the base, but I think I have that covered too. Literally; I’m going to glue a strip of fabric over the wires under the seat of the chair, the better to hold them steady.

I hope this looks good enough to justify all the effort. I spent three hours working on this last night and I only finished four primary branches. I expect I’ll have another three hours to go before I finish the rest of them. ::sigh:: I just love wire work.

Index of Forest Thrones posts is here.


Forest Throne, Part 3: Screwing and Drilling

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So, this conversation happened recently at my house:

Me: Honey, I need a drill.

Mr. Tea Rose: ….

Me: I mean, I have my Dremel and all, but I need your cordless one.

Him: Oh, I thought you meant–heh, never mind. It’s over here. <shows me where his cordless power drill is.>

Later…

Me: Honey, I need a screw.

Him: … You’re killing me.

The Celluclay gets much lighter when dry

Sooo….the papier mache on the saucers is almost completely dry, and there are no cracks and very little pulling away from the ceramic, so yay! Now we can move on to the next step.

I cut rough circles out of 1/4-inch foamcore for this step. The larger circles will be the seat of the chair, and the smaller circles are going to provide surface area for the glue to hold the chair to the saucer. I could claim the circles are rough and irregular because it will add to the natural look of the finished piece, but the reality is that my Xacto blade just wasn’t very sharp. Believe me, I wanted pretty circles if they were going to have their pictures taken.

After the above conversation, I persuaded Mr. Tea Rose to chop up a 1.25 inch dowel into lengths for the trunk of the tree. I only needed four, but apparently he was enjoying himself, because he cut the entire dowel up, and now I have eleven of them. Oh well, I was thinking about making a table anyway…

The circles need to be attached really solidly, so I had Mr. use his drill press (no comments please) to make pilot holes in each end of the dowel sections so I can attach the foamcore circles with drywall screws. What? Look, I asked him for wood screws, but we didn’t have any the right size. The fairy king can just pretend they’re wood screws. Or he can take it up with my husband.

Once the circles are screwed on, they are glued to the saucer bases. I’m a little anxious about this join; if any part of the chair fails, it’ll be here. You’ll have to pick the chair up by its stem or its back, which means all the weight of the saucer and the Sculptamold on top of it will be supported by this join. I seriously considered making my husband get out his masonry bit and drill a hole through each saucer so I could screw the dowel directly to the saucer, but I was afraid he might shatter some of the saucers in the process. In the end, I decided to go the easier route and hope it will work. I’ll make sure that the subsequent layers reinforce this join, too.

Now it’s starting to look like something! Not something particularly elegant, of course, but something. And, just for the record, that’s a different can of Diet Coke in the back.

Index of Forest Thrones posts is here.


Forest Throne, Part 2: Under the Base

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For the base of my throne, I needed something heavy, round and very stable, so I picked up some ceramic saucers from the thrift store for less than a dollar each. I’m going to turn them over and glue the chair to the convex side of the saucer, then dress the surface with Sculptamold and put faux grass and stuff on it.

You might think I could leave the underside of the project alone, since no one will ever see it. Not so! I’ve been making art dolls for years now, and I can tell you from general experience that someone always picks it up and looks at the underpants. These saucers have a cheap K-mart pattern on them that will be totally incongruous with the top, so I’m going to cover them up.

I love instant papier mache for faux dirt. It has the perfect texture when it’s dry. So I covered the saucers with papier mache (Celluclay is the brand I happen to have. I think it comes in a different package now, though; I’ve had this one forever) underneath. Since this is an experiment, there are a couple of possible things that could go wrong here. One is that Celluclay shrinks a little when it dries, and since the saucer is not going to shrink with it, the papier mache might crack or even split down the middle. If that happens, I’ll have to fill in the cracks with more papier mache. The other problem is that ceramic dishes are designed to not stick to things, so it’s possible that even if the papier mache doesn’t crack, it might just pop right off the saucer when it’s dry. If that happens, though, I’ll hopefully be able to glue it back on again with Gorilla Glue. (There’s a website called Thistothat.com that helps you figure out what kind of glue to use in any situation. Every crafter should have it bookmarked…. though apparently I don’t, because I keep having to Google for it.)

Now for pictures. Above you can see the covered saucers, which kind of look like rough cement. Also pictured are the DVD remote (I thought My Neighbor Totoro was an appropriate viewing for this project) and, of course, the most important ingredient of all, Diet Coke, otherwise known as Artist Fuel, because this artist mainly runs on it.

When I get to the painting stage, I’ll paint this side dark brown/black and maybe add some threads for roots, or mushrooms, so it looks like underground. Then I’ll spray coat it like crazy and probably add some felt feet so it doesn’t scrape all the paint off anyway.

Wouldn’t it be cute to cover some more of these saucers and build great big mushrooms on them? Maybe I’ll have to try that next.

Really I should wear gloves when I do stuff like this. I’m not a kid anymore and my hands are getting dried out. But as I warned my husband when we got married, the messier my hands are, the happier I am. Besides, there’s always hand lotion.

Stay tuned, gentle reader, to find out if the papier mache did indeed crack.

Oh, and if you like projects like this one, check out Shelley Noble’s Halfland. I am a complete noob compared to her.

Index of Forest Thrones posts is here.


Forest Throne, Part 1: Materials

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So, it’s January and the new year seems like a good time to start a crazy new project. Some friends asked me to show them how to do faux bark, and it gave me the idea to make some chairs that look like they were made from tree stumps or from live trees. I was going to do a full tutorial, but I think this project is too complicated. If you have any questions about my process, feel free to ask. This is the first time I’ve ever documented a project like this, so your input is welcome!

So, to start out, above you see my materials for the project. Materials include some thrift store saucers, instant paper mache, wooden dowels, foam core and wire. These aren’t all the ingredients, of course, but I’ll show the rest as I get to them. Mainly I’ve left out the fabric and stuffing for the cushion, because if I get them out now, they’ll get all dirty before I finish the messy part. If you think I could just get them out for the photo and put them away again, you obviously don’t know me very well.

Here’s a closer shot of my sketch. I’m not doing anything terribly creative with the shape of the chair; it’s basically just like a papasan chair, but with tree bark. The back in this sketch isn’t going to work though (I couldn’t figure out how to make a curved back), so I’m going to replace it with faux tree branches and leaves. Trust me, it’ll look cool. I think.

I’ll be making four of them total, so you’ll see duplicates in the photos. I might make more later, since my husband got carried away and cut the entire dowel rod up instead of just cutting the four rods I needed, lol. Now I have enough stuff to make eleven chairs. :)

Index of Forest Thrones posts is here.


Impressionism in 3d — Rachael Direnna

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Rachael Direnna is an unusual artist working in an unusual media. Well, I guess paper mache isn’t that unusual, but the fact that she makes her own paper mache completely from scratch is.

“I make my own clay out of shredded papers (office paper,newspaper, etc) I like the idea of making something from nothing, starting from scratch kinda. I like the idea that I am recycling. But mostly I just love making stuff. Sometimes its weird stuff.”

Sometimes it’s creepy stuff, too, as evidenced by the photo at the top of this post.

Maybe it’s because of this connection with the paper that Direnna can make such striking tree spirits. Many people who make tree spirits end up sculpting female forms with rough skin and branches sticking out in odd places, or else perfectly normal trees with faces in their knotholes. Direnna is one of the few artists who finds a good balance between the two shapes, uniting human and tree in a way thats too distorted to be human, but too familiar to be entirely tree. Like many great works of the Impressionists, it looks like one thing when you casually glance over it, and something else when you look more closely.

Most of her pieces can be divided into three categories: trees, women, and animals. The women are strangely lifelike. Some of them make you think they’re photographs when you see the thumbnails, but then up close you see they are actually quite stylized. The animals, too, are strikingly realistic in their general shapes and poses, but up close are more abstract in their textures and details, like Impressionist paintings.

Direnna’s artist statement implies that her work isn’t painted at all, but uses colored paper for its finish. Sometimes she uses patterned paper to add to the impressionistic textures of a piece. In fact, Direnna is a brilliant example of an artist who works with her medium and is influenced by it, because most of her pieces could only be done in paper mache. It would be extremely difficult to accomplish these textures in polymer clay or any other sculpting material, and why would you want to, when paper mache does it so well?

You can see more of Direnna’s work on her Flickr account or her blog, and you can purchase your very own piece by visiting her Etsy shop.